Barefoot Boy with Cheek Helping Young Utahns Laugh in 1945

By Katherine Rogers

Being a young person in the mid-1940s could be stressful, with World War II creating strife for every nation. In the United States every able-bodied man was being drafted into the military. Everyone else was making sacrifices for the sake of the war effort. Early 1945 was an especially uncertain time. While the end of the war seemed imminent, no one was sure how much longer it would be going on. All throughout January of that year the Utah Chronicle wrote about the rumors of a 4-F draft (that is, drafting men who originally were not considered due to minor disabilities). Meanwhile, men were coming back from the battlefields with injuries and stories of the horrors of war. This kind of tension meant that the students were looking for relief. Enter: Max Shulman.

Shulman was a journalism student at the University of Minnesota. He wrote for the Minnesota Daily (the school’s newspaper) and Ski-U-Mah (the on-campus humor journal). He soon became known on campus for his goofy sense of humor. So, it was no surprise when in 1942 he was approached by an editor to write a book poking fun at college life. Shulman agreed and a few months later produced Barefoot Boy with Cheek. (Brady, p. 32)

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Illustration by Will Crawford.

Barefoot Boy focuses on the adventures of Asa Hearthrug, a small-town farm boy, as he begins his college career at the “fictional” University of Minnesota. Shulman uses his famous silly sense of humor to make fun of parts of college life like fraternities (Hearthrug joins Alpha Cholera) and the troubles of dating in college (Hearthrug must choose between two girls). It touches on the prices of books, especially the ones the professors wrote themselves, and student journalists trying too hard to sound clever.

Even though Barefoot Boy soon became a national bestseller, it took a few years for it to reach Utah. Once it did, Shulman’s writing quickly captured the attention of the college crowd. The Utah Chronicle wrote in January 1945 all about the craze over the book sweeping the campus of the University of Utah. It was so popular on campus that one Utah Chronicle columnist, known in her column only as Pomerance, tried her hand at her own shortened version, which she called “Bare Faced Girl with Teeth” or “Foo to You U of U.” This parody, featured in the January 11, 1945, issue of the Chronicle, follows similar themes with the heroine dealing with Greek life (for example the fraternity Un Kappa Kega Brew) and having to choose between two boys.

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Illustration by Will Crawford.

The book was in high demand in the state. In October 1945, the Bear River Valley Leader wrote about the joy of the local libraries finally getting their hands on a single copy of Barefoot Boy, as did The Hillfielder in March of the same year. One group of young writers in Provo, after starting the American League of Young Penman, decided to show their love for Shulman’s writing in an interesting way. “Max Shulman, author of ‘Barefoot Boy with Cheek,’ ‘The Fatherly Merchants,’ etc., is the honorary president of the club,” the Provo Sunday Herald reported in the September 9, 1945, issue.

The absurdist humor that riddles the pages of the Barefoot Boy with Cheek appears to be just what the youth of Utah needed. It shows that a little book, no matter how silly its contents may be, can prove to be the perfect mood lightener in dark, uncertain times.

Katherine Rogers is a junior at the University of Utah, studying communication and journalism. She is also an intern at CATALYST Magazine.

Sources

Max Shulman, Barefoot Boy with Cheek (New York: American Book-Stratford Press, Inc., 1945).

“Pom Authors Sequel to ‘Barefoot Boy,’” Utah Chronicle, January 11, 1945, 2.

“Ouija Boards, ‘Barefoot Boy With Cheek’ Prove Distracting to U Students,” Utah Chronicle, January 11, 1945, 3.

“U Waits Decision On 4-F Draft,” Utah Chronicle, January 11, 1945, 4.

“Library Purchases Request Numbers,” The Hillfielder (Ogden Air Technical Services Command newspaper), March 28, 1945, 2.

“League of Young Writers Started By Provo Group,” Provo Sunday Herald, September 9, 1945, 2.

“New Books at Library,” Bear River Valley Leader, October 18, 1945, 3.

Brady, Tim. “Max Shulman. Dig it?” Minnesota Alumni Magazine, Spring 2016.

OSS war documentary “The War Department Report” leaves mark at the University of Utah.

By Ellie Cook

students see war filmIn the February 3, 1944, issue of The Utah Chronicle, students were invited to attend a campus screening of the Academy Award-nominated documentary The War Department Report. The film was originally released to a small number of military personnel on December 7, 1943, by the U.S. Office of Strategic Services (OSS). It was directed by Oliver L. Lundquist; David Zablodowsky was credited as the writer, Carl Marzani as producer, Richard Lyford as editor. It was narrated by Walter Huston. (IMBD)

Director Lundquist was described by the Central Intelligence Agency as “a talented architect and industrial designer” who worked for the Office of Strategic Services, the CIA’s predecessor during World War II. Lundquist also created the logo for the United Nations as well as the one for Q-tips.

EPSON scanner imageThe documentary’s project began after a report was made by Major General George V. Strong on “The Strength of the Axis Forces.” The documentary included obtained footage taken of allies by the Germans, Italians, and Japanese. One segment of the film included “startling shots of the Pearl Harbor raid, taken from [Jap] planes.” (“New War Film”)

The American Film Institute notes that the film “marked the first time in history that the high command of the American armed forces made an official report to the country on the strength of the enemy.”

Originally the film was intended to remain “a restricted government film” and was “destined chiefly to be displayed before war plant workers.” (“Cary Grant”) However, it was later publicly released, which eventually earned the film an Academy Award nomination for Best Documentary Feature.

war department reportThe War Department Report is still viewed today, primarily used in military training. The OSS is highly praised for the film’s exposure of the war. Katz writes, “Through their pioneering experiments in the visual display of information … in service of the War Crimes trials … they left a small but indelible mark on history.” The film is kept today in the Academy Film Archives.

Leroy E. Cowles, the University of Utah’s president at the time, described the film as containing some of the “finest combat scenes ever photographed by army or navy cameramen.” In a Utah Chronicle story published in 1944, he highly encouraged professors who had classes at the same time of the on-campus screening to make arrangements in order to allow students to attend the viewing, which was held at Kingsbury Hall on February 3. The viewing included a display of “captured enemy pictures” as well as the film’s screening. (“Impromptu”)

Today, free screenings of recent films remain available to University of Utah students. However, the 1944 viewing of War Department Report stands out among many because students were able to see in real time the reality of the war via footage from the enemy’s perspective. The film is still highly acclaimed today and remains an important asset for military training purposes.

Ellie Cook is a third-year student at the University of Utah studying communication (journalism) and psychology. She has written for Trend Privé Magazine and U NewsWriting.

Sources

Major General George V. Strong, “The Strength of the Axis, delivered before the House of Representatives on 20 October 1943 and before the Senate on 21 October 1943.”

War Department Report. Oliver L. Lundquist, director. United States: U.S. Office of Strategic Services, 1943.

“Cary Grant, McCarey Team on Comedy Plans … ‘War Department Report’ Gives Pessimistic Outlook,” Los Angeles Times, December 21, 1943, 8.

“Impromptu War Film Showing at U,” Salt Lake Tribune, February 2, 1944, 8.

“New War Film Shown In S.F.,” San Francisco Examiner, February 2, 1944, 7.

“Students see War Pictures,” Utah Chronicle, February 3, 1944, 1.

Documentary (Feature Subject),”  The 16th Academy Awards.

Katz, Barry. “The Arts of War: ‘Visual Presentation’ and National Intelligence,” Design Issues 12, no. 2 (Summer 1996): 3–21.

The OSS Architect Who Designed the UN Logo,” Central Intelligence Agency, June 23, 2017.

War Department Report, IMDB.

War Department Report, American Film Institute Catalog of Feature Films.