OSS war documentary “The War Department Report” leaves mark at the University of Utah.

By Ellie Cook

students see war filmIn the February 3, 1944, issue of The Utah Chronicle, students were invited to attend a campus screening of the Academy Award-nominated documentary The War Department Report. The film was originally released to a small number of military personnel on December 7, 1943, by the U.S. Office of Strategic Services (OSS). It was directed by Oliver L. Lundquist; David Zablodowsky was credited as the writer, Carl Marzani as producer, Richard Lyford as editor. It was narrated by Walter Huston. (IMBD)

Director Lundquist was described by the Central Intelligence Agency as “a talented architect and industrial designer” who worked for the Office of Strategic Services, the CIA’s predecessor during World War II. Lundquist also created the logo for the United Nations as well as the one for Q-tips.

EPSON scanner imageThe documentary’s project began after a report was made by Major General George V. Strong on “The Strength of the Axis Forces.” The documentary included obtained footage taken of allies by the Germans, Italians, and Japanese. One segment of the film included “startling shots of the Pearl Harbor raid, taken from [Jap] planes.” (“New War Film”)

The American Film Institute notes that the film “marked the first time in history that the high command of the American armed forces made an official report to the country on the strength of the enemy.”

Originally the film was intended to remain “a restricted government film” and was “destined chiefly to be displayed before war plant workers.” (“Cary Grant”) However, it was later publicly released, which eventually earned the film an Academy Award nomination for Best Documentary Feature.

war department reportThe War Department Report is still viewed today, primarily used in military training. The OSS is highly praised for the film’s exposure of the war. Katz writes, “Through their pioneering experiments in the visual display of information … in service of the War Crimes trials … they left a small but indelible mark on history.” The film is kept today in the Academy Film Archives.

Leroy E. Cowles, the University of Utah’s president at the time, described the film as containing some of the “finest combat scenes ever photographed by army or navy cameramen.” In a Utah Chronicle story published in 1944, he highly encouraged professors who had classes at the same time of the on-campus screening to make arrangements in order to allow students to attend the viewing, which was held at Kingsbury Hall on February 3. The viewing included a display of “captured enemy pictures” as well as the film’s screening. (“Impromptu”)

Today, free screenings of recent films remain available to University of Utah students. However, the 1944 viewing of War Department Report stands out among many because students were able to see in real time the reality of the war via footage from the enemy’s perspective. The film is still highly acclaimed today and remains an important asset for military training purposes.

Ellie Cook is a third-year student at the University of Utah studying communication (journalism) and psychology. She has written for Trend Privé Magazine and U NewsWriting.


Major General George V. Strong, “The Strength of the Axis, delivered before the House of Representatives on 20 October 1943 and before the Senate on 21 October 1943.”

War Department Report. Oliver L. Lundquist, director. United States: U.S. Office of Strategic Services, 1943.

“Cary Grant, McCarey Team on Comedy Plans … ‘War Department Report’ Gives Pessimistic Outlook,” Los Angeles Times, December 21, 1943, 8.

“Impromptu War Film Showing at U,” Salt Lake Tribune, February 2, 1944, 8.

“New War Film Shown In S.F.,” San Francisco Examiner, February 2, 1944, 7.

“Students see War Pictures,” Utah Chronicle, February 3, 1944, 1.

Documentary (Feature Subject),”  The 16th Academy Awards.

Katz, Barry. “The Arts of War: ‘Visual Presentation’ and National Intelligence,” Design Issues 12, no. 2 (Summer 1996): 3–21.

The OSS Architect Who Designed the UN Logo,” Central Intelligence Agency, June 23, 2017.

War Department Report, IMDB.

War Department Report, American Film Institute Catalog of Feature Films.

H. V. Kaltenborn Discusses World War II at the University of Utah’s Master Minds Event

By Anthony Scoma

The October 9, 1941, issue of the The Utah Chronicle reported that H. V. Kaltenborn, the “fearless correspondent, editor, and radio newscaster,” would be speaking at the University of Utah’s first “Master Minds and Artists series” at the Salt Lake Tabernacle, after demand exceeded the capacity of the on-campus Kingsbury Hall. The event was sponsored by the university extension division, which brought Kaltenborn to deliver “his analytic accounts of war reports” based on his experiences as a broadcast journalist covering the war between Germany and Great Britain and his time spent living in Germany, where he had developed a “hate for Hitler and the Nazi regime which can only come from personal observation.”


Photo accompanying Bob Hale’s article, “Russ Good until Spring, Kaltenborn Believes,” that was published in The Salt Lake Telegram, October 15, 1941.

According to journalism historian Louis Liebovich, Hans Von Kaltenborn was an extremely popular and important radio broadcaster throughout the 1940s and was the “most listened to foreign affairs commentator of the time.” Kaltenborn’s radio broadcast was regularly listened to by anywhere from 10 to 17 percent of American homes during the years 1942 through 1947, meaning that his program “reached a larger portion of the American public across the country than any other single news opinion source with the exception of Time magazine.” His influence greatly shaped American discourse by stimulating newspaper editorials, effectively attacking high-ranking government officials, and shaping public opinion of government policy (Liebovich, p. 47).

Kaltenborn’s popularity was certainly evident in the tone of the coverage before and after the event by The Utah Chronicle and the Salt Lake Telegram. The October 15, 1941, issue of the Telegram called Kaltenborn the “No. 1 news commentator” and from the moment he landed at Salt Lake airport the paper reported on his observations of the war in Europe and specifically “the Russian fight against the invading Germans.” The Salt Lake Telegram’s subsequent October 16 issue reported that these topics were also addressed during Kaltenborn’s speech when he said that Hitler’s invasion of Russia was going so poorly that even Hitler admitted he had made an error.

Kaltenborn’s assessment of the war was also combined with a strong endorsement of the U.S. providing support to the Allied forces and called for a more involved foreign policy. According to the October 16 issue of the Salt Lake Telegram, during Kaltenborn’s 90-minute address to the audience of 5,000 people, he said that “[t]he weight of the United States will decide the turn of events in the European war” and that if China, with the support of the United States, could take the offensive with Japan “it might change the world situation.”

The Utah Chronicle’s coverage of Kaltenborn’s speech in its October 16, 1941, issue highlighted his dislike of Hitler, the Nazi regime, and its desire for conquest. The article also brought up Kaltenborn’s concerns in the “Far East” where Kaltenborn said, “Japan feels her destiny is to rule.” The article finished its coverage by describing Kaltenborn’s warning about labor unions and profit motives interfering with the defense industry and his conclusion that “Russia will never be conquered.”


Hays Gorey’s story, “Noted News Lecturer Shows Weakness in War Problem Analysis.” (The Utah Chronicle, October 24, 1941, 1)

Kaltenborn’s speech and perspective was not without criticism, however, and in The Utah Chronicle’s October 23, 1941, issue, Hays Gorey argued that Kaltenborn “continued a policy common to Master Minds and Artists series speakers of being more concerned with propagandistic entertainment than with logical presentation and interpretation of facts.” While Gorey’s opinion column admitted Kaltenborn’s speech was “a success,” Gorey charged him with creating “a war-frenzy” and making claims without substantiating them with a “firm foundation of reasoning.” Of these claims, Gorey specifically questioned Kaltenborn’s analysis of the defensive capabilities of the English Channel, his certainty that Hitler was “inherently sinister and power-mad,” the lack of similar criticism of Josef Stalin, and the address being “full of generalities […] with a few statements that bordered on the ridiculous here and there.”

Less than two months after Kaltenborn’s speech in Salt Lake City, millions of Americans across the country tuned in on December 7, 1941, to hear his analysis of the attack at Pearl Harbor, which heralded the United States’ entrance into WWII (National Broadcasting Company, Inc.). The timing of Kaltenborn’s speech, his outspoken position on the war, and the media coverage before and after the event provide a great insight into the contemporary arguments for and against entering the war and can help to better understand the political landscape of Utah concerning the war prior to Pearl Harbor.

Anthony Scoma is a senior at the University of Utah majoring in communication and political science and is set to graduate in May 2019. He is interested in radio journalism and is the podcast producer for K-UTE Radio.


“H. V. Kaltenborn Opens Master Minds Series,” The Utah Chronicle, October 9, 1941, 1.

Bob Hale, “Russ Good Until Spring, Kaltenborn Believes,” Salt Lake Telegram, October 15, 1941, 15.

“Hitler on His Way Out, Says Kaltenborn” Salt Lake Telegram, October 16, 1941, 11.

Wallace Bennett, “Famous News Analyst Sees Need for Unity,” The Utah Chronicle, October 16, 1941, 1.

Hays Gorey, “Noted News Lecturer Shows Weakness in War Problem Analysis,” The Utah Chronicle, October 23, 1941, 4.

National Broadcasting Company, Inc.“H.V. Kaltenborn’s Analysis Of The Japanese Attack On Pearl Harbor,” December 7, 1941.

Liebovich, Louis. H.V. Kaltenborn and the Origins of the Cold War: A Study of Personal Expression in Radio Journalism History, no. 14 (Summer/Autumn 1987): 46–53.


Doug Fabrizio, Host of KUER’s ‘RadioWest’


Doug Fabrizio was born in 1964 in Bountiful, Utah. He studied at the University of Utah and began working and reporting for the KUER broadcasting station in 1987. KUER is a public radio station and is a member of National Public Radio (NPR). Its mission is simple: the station is “committed to building a community of world citizens through story and art, discussion and debate, sound and creativity.” (“About KUER”) The station is broadcast from the University of Utah and listeners around Utah tune in.

Fabrizio began working at the station when he was a junior in high school. By 1993, he had assumed the position of news director of KUER. (Sheehan) Then, in 2001, Fabrizio began hosting a radio segment, RadioWest. The show is “a radio conversation where people tell stories that explore the way the world works. (“About RadioWest“) In an interview with CityWeekly, Fabrizio expressed his views of the shows’ particular content, “Art and culture are an important part of the program. I actually don’t believe in segregating news – keeping the hard stuff from the softer stories (in fact I hate describing arts coverage or features as ‘soft’) or the local ones from the national ones. No matter where it comes from, most of us don’t see music or literature or great film as any less important to our lives than knowing about the critical events and issues of the day.” (Sheehan) Fabrizio has had the chance to interview many influential people throughout the years, from Madeleine Albright, the first woman in the United States to become secretary of state, to the Dalai Lama.

Doug Fabrizio, host of RadioWest, has worked at KUER since 19xx.

Doug Fabrizio became host and executive producer of KUER’s RadioWest in 2001. Photo courtesy of KUER.

Fabrizio’s work has been recognized by many organizations, including the Public Radio News Directors Association, Society of Professional Journalists, the Utah Broadcasters Association, and the Academy of Television Arts & Sciences.

RadioWest has steadily progressed throughout the years and Fabrizio’s style has evolved using storytelling mixed with honest interview question and answers. Fabrizio has profiled a number of topics, Utahns, and intellectuals, including the documentary, Ab Jenkins and the Boys of Bonneville, Everett Ruess, University of Utah President Chase Peterson, Congressman Ron Paul, David Foster Wallace, Nobel Peace Laureate Mohamed ElBaradei, and Robert Redford. These profiles incorporate Fabrizio’s storytelling approach.

“The Boys of Bonneville” segment aired on August 24, 2011. The segment featured the story of Ab Jenkins, who sped across the Bonneville Salt Flats and set record speeds. Fabrizio interviewed the director and others about the new documentary. Fabrizio introduced the piece with a simple introduction, setting the scene of the Salt Flats, a landmark not as well known by Utah residents as one would think. Fabrizio had four separate guests on the program; he kept the atmosphere relaxed.

Fabrizio focused on Everett Ruess, a young man who disappeared in the Utah desert, for a segment that aired on July 13, 2011. The tone was more serious as Fabrizio interviewed David Roberts, a writer who had thought he had found the body of Ruess. Fabrizio carried the piece by asking the tough questions first, and using basic interview skills. The piece doesn’t provide answers for where Ruess lies, but Fabrizio explores Ruess’s story and invites Roberts to discuss his chronicle of Ruess’ adventures.

University of Utah President Chase Peterson sat down with Fabrizio on May 7, 2012, to discuss his new book, The Guardian Poplar. The segment was carried by Fabrizio’s tone. He had respect for Peterson, which was evidenced by his very candid introduction. Fabrizio listed Peterson’s accomplishments and then let him do the talking. Peterson was humble and quiet and shared stories that appeared in his book. Fabrizio’s technique gave Peterson the stage and allowed the story to speak for itself. Peterson had been diagnosed with cancer and believed he only had a few years to live. But, he outlived his death sentence and Fabrizio’s presence put him at ease to share his struggles and joys.

Musician La Monte Young, who was born in Idaho and worked on a family farm on Utah Lake, has influenced some of the great artists. In a show that aired November 29, 2013, Fabrizio interviewed Professor Jeremy Grimshaw from Brigham Young University, who wrote a biography about the musical protégé. Fabrizio was knowledgeable about the guest and artist, but he asked open-ended questions that led to further discussion and allowed Grimshaw to discuss the complex character and Young’s musical compositions. Fabrizio’s technique allowed for a more in-depth approach that yielded untouched information.

Congressmen Ron Paul spoke at Utah Valley University in October 2012 and conducted a question and answer afterward with the students. Fabrizio’s segment took listeners inside the discussion and allowed people to share in the conversation. Fabrizio began with his simple introduction approach and allowed the congressmen to greet the viewers. Then Fabrizio facilitated the Q and A session.

David Foster Wallace was an acclaimed writer who committed suicide. D.T. Max, a New Yorker staff writer, wrote a biography of Wallace and joined Fabrizio’s show by phone to tell the story. The piece began with an introduction of Wallace and Max, which gave the audience an immediate feel for both parties.

Mohamed ElBaradei, a Nobel Peace Laureate, came to Utah in September 2012 to talk about his international atomic energy plans. He also joined Fabrizio for a RadioWest interview. The piece had a serious tone in keeping with a newsworthy international discussion.

Biographer Michael Feeney Callan chronicled the life of Robert Redford in his book, Robert Redford: The Biography. Callan spent fifteen years speaking to Redford and discovering his ways before finishing his book. Fabrizio introduced the September 2011 program with a story of Redford’s search for art and wanderings and then allowed Callan to discuss his book and findings about the infamous founder of Sundance Film Festival.

The early 1900s began the trend of the national radio craze throughout America. It all started with young teens from Utah, much like Fabrizio. In 1909 these kids began the first Radio Club in Salt Lake City. They transmitted and broadcast segments over the airwaves. (Larson and Avery) Fabrizio has continued to carry on the young Utah tradition and has transformed his broadcast to feature several storytelling techniques. He uses the airwaves to tell the stories, which carry communication to Utah and the rest of the nation.

Fabrizio’s broadcasts since 2009 can be found online. Archiving is an ongoing project.

Hanna Tatro graduated from The University of Utah in May 2014 with a Bachelor of Science degree in journalism.


Biographical sketch, Doug FabrizioRadioWest.

Doug Fabrizio, “Boys of Bonneville.” RadioWest.

Doug Fabrizio, “Finding Everett Ruess,” RadioWest.

Doug Fabrizio, “The Guardian Poplar,” RadioWest.

Doug Fabrizio, “The Music and Mysticism of La Monte Young,” RadioWest.

Doug Fabrizio, “Congressman Ron Paul,” RadioWest.

Doug Fabrizio, “The Life of David Foster Wallace,” RadioWest.

Doug Fabrizio, “Nobel Peace Laureate Mohamed Elbaradei,” RadioWest.

Doug Fabrizio, “Robert Redford: The Biography,” RadioWest.

Tim Larson and Robert K. Avery, “Utah Broadcasting History,” in Utah History Encyclopedia (Salt Lake City: University of Utah, 2009).

About KUER,” KUER.org.

Gavin Sheehan, “Doug Fabrizio,” City Weekly, July 10, 2009.

KDYL Brings Local, Independent Television to Utah



When KDYL began broadcasting in Salt Lake City in 1922, it was just the thirteenth radio station in the United States. It became the radio station for the already prominent Salt Lake Telegram newspaper in Salt Lake City. However, by 1927 the station was failing financially and falling behind the already established KZN radio station (owned and operated by the Church of Jesus Christ of Latter-day Saints and the Deseret News) and looking for new support. Sydney S. Fox, an outside investor, entrepreneur and stepfather of then-KDYL president Fred Provol, purchased the failing station for $4,000. Fox saw potential in radio to be an “entertainment medium,” and saw KDYL as a great way to test this potential. (Boyles, iv)

Fox immediately established a new and innovative way to build revenue for KDYL. He knew it would have to come through advertisement. In fact, much of his own success in broadcasting (radio and television) was based upon his ability to sell advertisement in new, inventive ways. (Boyles, 27) Over the next ten years, Sydney S. Fox continued to improve and build up revenue and the popularity of KDYL.

Fox’s focus shifted from radio to television in 1939 after he attended the World’s Fair in both New York City and San Francisco. This is where he saw television demonstrated for the first time. Fox’s drive and enthusiasm quickly turned to developing a local television station in Salt Lake City under the KDYL name. He felt that the possibilities of this new form of medium were unlimited and all of his time went to making it a reality in Salt Lake City.

Fox knew that it would be a sensation, but he failed to see how much of an impact it would have on the local Salt Lake City community. He began to demonstrate local television at state fairs and at public demonstration days at local department stores in downtown Salt Lake City. The turnout was outstanding. Following several applications to the FCC, he was granted an experimental license in 1941. However, the timing was not meant to be. Shortly after obtaining a license, the onset of World War II halted any further progress. That was until 1946, when RCA began production of television transmitters once again.

Inside the television studio of KDYL-TV. Photo courtesy of the Special Collections Department, J. Willard Marriott Library, The University of Utah.

KDYL, with a recently purchased transmitter, began to build a transmitter on the top of the Walker Bank and Trust Building in downtown Salt Lake City. A full television studio was also built at the Regent Street Playhouse on 68 Regent Street. (Boyles, 39) Then, with the approval of a television broadcasting application in 1946 by the FCC, KDYL began transmitting by November as KDYL/W6XIS. (Boyles, 40) These transmissions soon turned into regular programmed media in April 1948, and thus launched the first independently owned television station in the United States. KDYL, going by the call sign of W6XIS, continued to provide independent programming for the Salt Lake City community until early 1953, when KDYL was sold to TIME Inc. for just over $2 million.


Radio, having been around for some time by the 1920s, was viewed as a source of information and news. And even though rumors of television being the main medium for such information and news were growing daily, people still had their doubts. As early as 1910, the idea of sending pictures over wires had been well discussed but yet looked upon as impossible. A 1910 article in the Deseret News emphasizes these doubts:

“Something more tangible than television has been devised by a French inventor … [who] is making an apparatus to which a series of photographs can be telegraphed one after the other instantaneously, and reformed so as to give a cinematograph reproduction of an event.” (“Seeing By Wire”)

Yet by 1938, full-page articles were being printed within newspapers featuring the progress of the television.

The Kane County Standard printed such an article titled “Television, Science’s Youngster, Starts Wearing Long Trousers.” In this article, Joseph W. LaBine focuses on progress of the invention and notes that the “bugs” had been eliminated. “Actually, RCA’s engineers have already ironed out most of the ‘bugs’ in transmission.” It may have been articles such as that one that focused on the television that influenced Sydney S. Fox, president of KDYL in Salt Lake City, to pursue the concept of television.

But the most influential impact came from Fox’s visits to the World’s Fair in New York City and San Francisco. There he witnessed RCA’s demonstrations of television that launched the beginning of television’s rise to the top of broadcasting mediums. Fox was reportedly “so enthusiastic and saw such possibilities for the new medium, that they immediately ordered a ‘jeep’ television outfit consisting of equipment capable of demonstrating but not telecasting, television.” (“KDYL-TV Laid Plans for Video”)

Sydney S. Fox with two of KDYL-TV's engineers, including head engineer John Boldwin (far right), inside main control room at KDYL. Photo courtesy of the Special Collections Department, J. Willard Marriott Library, The University of Utah.

KDYL immediately began to show the power of this “new medium” with demonstrations in local Paris Co. department stores as early as fall 1939 and at the State Fair in 1940. Over 45,000 people filled demonstrations in department stores in the space of just three days to witness the demonstration of television, and the television was also designated the key attraction at the State Fair. The Salt Lake Telegram quotes Fox saying that “he knew there was enough interest in television in Salt Lake City to justify going ahead with plans for commercial television here.” (“KDYL-TV Laid Plans for Video”)

Fox’s plans for television were put on hold in 1941 with the onslaught of World War II. “Because of America’s all out war effort, [the War Production Board] would not permit the manufacture or sale of television broadcasting equipment by regular manufacturers.(Boyles, 39) But this did not stop the enthusiasm of Fox. KDYL continued to invest time into developing the already existing technology and in 1943, following a trip to New York, Fox explained that television production factories were preparing transmitters for postwar delivery. (“SL Radio Executive Says Industry Eyes Television”)

In September 1944, KDYL filed an application for the building of a commercial use television station on an experimental basis. (“S.L. Firm Asks to Build Television Station”) By December 1944, the FCC granted KDYL a permit for the construction of an experimental television station, which would become the first studio between Kansas City and the West Coast. Fox was quoted as saying, “KDYL is proud to be a pioneer in this great field.” (“S.L. Firm Granted Television Permit”)

KDYL's downtown building next to the Walker Bank building in Salt Lake City. The KDYL-TV transmitter was located on top of the Walker Bank Building. Photo courtesy of the Special Collections Department, J. Willard Marriott Library, The University of Utah.

Between 1944 and 1948, KDYL was actively pursuing the reality of broadcasting local television programs to the Salt Lake City community. KDYL built a television transmission tower on top of the Walker Bank and Trust Building in downtown Salt Lake City, and finished building a television studio in the Regent Street Playhouse on 68 Regent Street. (Boyles, 39) The Regent playhouse worked perfectly for the site of a television studio since the playhouse was given up during the war. In 1946, KDYL began experimental transitions but did not officially sign on the air until April 1948 under the call sign W6XIS. The Salt Lake Telegram explained the significance of KDYL-TV:

“An event of historic significance in the field of entertainment and the dissemination of information occurred in Salt Lake City this week. It was the inauguration of the first regularly scheduled television program in the intermountain region…. Salt Lake City thus becomes the 13th city in the nation to have regularly scheduled television.” (“Salt Lake 13th to Have Television”)

The inaugural program was graced with the presence of the Utah governor, the Salt Lake mayor, and Frank Streator, president of the Chamber of Commerce. (“Salt Lake 13th to Have Television”) Along with KDYL-TV being the first station west of Kansas City, it also set another milestone by being the first independently owned television station in the nation. KDYL became a pioneer for what television would become and mean as a local informational source in the United States.

KDYL-TV followed a five-night-a-week schedule, but due to public demand KDYL-TV changed to seven nights a week by October 1948. In its early years KDYL-TV had many firsts and milestones. It was the first to broadcast golf and downhill skiing, and by 1952 KDYL-TV was broadcasting from 9:30 in the morning until midnight seven days a week, which made it one of the largest scheduled local television stations in the nation. (Boyles, 47)

A group of men, including Sydney S. Fox (center) addressing a TV audience on a live broadcast from KDYL-TV studios. Photo courtesy of the Special Collections Department, J. Willard Marriott Library, The University of Utah.

Television continued to boom and expand within the Salt Lake Valley as well. By May 1948, KSL, a competing radio station, had helped build an entertainment television studio in a ZCMI department store located in downtown Salt Lake City. The studio was scheduled to broadcast a one-hour show daily from 1:30 to 2:30 pm. (“Department Store Sees Television”) This became an added attraction for shoppers at ZCMI and led to KSL filing an application for construction of its own local television station by July 1948 with construction beginning in early 1949. (“Get Television Permit”)

KDYL-TV continued to set the pace for local television. “In late July the station’s mobile unit was delivered, which made possible the telecasting of events away from the studio.” (“KDYL-TV Laid Plans for Video”) This also brought sporting events to viewers at home. The Salt Lake community would soon be able to watch a wide range of sporting events from their own front room. This became a true pioneering television station, which played a major part in the Salt Lake community.

KDYL-TV continued to broadcast as an independent company through Intermountain Broadcasting Company, headed by Sydney S. Fox, until July 24, 1953, when KDYL-TV was purchased by TIME Inc. for just over $2 million. Fox retired as president of Intermountain Broadcasting and as president of KDYL. He would be succeeded by Roy E. Larsen, president of TIME, Inc. This was not necessarily a terrible move for KDYL-TV, as Larsen stated: “We know the KDYL stations will profit by TIME’s journalism and television success formula. We at KDYL hope to make our station ‘The Voice of the New Golden West.'” (“Sale of KDY-TV”)


Sydney S. Fox and his team at KDYL helped pioneer and develop early television station standards that directly impacted the Salt Lake community and the rest of the nation by being the first at many aspects of broadcasting, including: first independent television station, first to air golf and downhill skiing, first to challenge the nation’s use of locally scheduled broadcasts by providing local broadcasts seven days a week from 9:30 a.m. until midnight. The station also pioneered ways of gaining advertisement space on local television. Sydney S. Fox continued to work within television after leaving KDYL and pressed the concept of entertainment with the idea of producing movie-like television shows. Sydney S. Fox truly helped drive local television into the news, information and entertainment source that it has become, and his desire for the public to witness television still lives today as KDYL continues to air local programming under call number KTVX in Salt Lake City.

Jason Bushnell is a senior studying mass communication at The University of Utah. He is set to graduate following the Fall 2012 semester. He will be continuing a career within television broadcasting.


“Seeing By Wire,” The Deseret News, April 12, 1910.

Joseph W. LaBine, “Television, Science’s Youngsters, Starts Wearing Long Trousers,” Kane County Standard, January 7, 1938.

“Salt Lake Concerns To Show Television,” Davis County Clipper, September 15, 1939.

“Television Set To Be Exhibited,” Salt Lake Telegram, September 10, 1940.

“S.L. Radio Executive Says Industry Eyes Television,” Salt Lake Telegram, October 12, 1943.

“KUTA Files Application For Television Station,” Salt Lake Telegram, June 3, 1944.

“S.L. Firm Asks to Build Television Station,” Salt Lake Telegram, September 23, 1944.

“S.L. Firm Granted Television Permit,” Salt Lake Telegram, December 30, 1944.

“Salt Lake City 13th To Have Television,” Salt Lake Telegram, April 21, 1948.

“Department Store Sees Television,” Salt Lake Telegram, May 28, 1948.

“S.L. Station Expands Television Schedule,” Salt Lake Telegram, July 7, 1948.

“Get Television Permit,” Salt Lake Telegram, July 30,1948.

“KDYL-TV Laid Plans For Video in ’39,” Salt Lake Telegram, May 31, 1951.

“Sale Of DKY-TV OF Salt Lake City To Time, Inc. Stated,” Davis County Clipper, July 24, 1953.

Patrick Wm. Boyles, Sydney Fox and KDYL, 1927-1952: A Utah Broadcasting History (M.S. thesis, University of Utah, 1953).